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Hello, my name is Valorie. I have a Master's Degree in History and a license to teach-- I have been both university professor and public school teacher. Currently, I am a middle school social studies teacher. I love horror movies and spooky things. Every day is Halloween. I am also a passionate book blogger.

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Showing posts with label historical romance. Show all posts
Showing posts with label historical romance. Show all posts

Saturday, July 29, 2017

Book Review & Giveaway: Scent of the Past by Erin Marie Bernardo




About the Book

Title: Scent of the Past
Author: Erin Marie Bernardo
Genre: Historical Fiction
Scent of the Past by Erin Marie Bernardo

A secret diary. A forgotten past. Another time.

When people think of time travel, they think of the clichéd manufactured kind. Of giant electronic machines with flashing lights and buttons calibrated to shoot you into the past with one press. But it doesn’t work that way. You need a reason, a connection, and—most important—a link. But you can’t choose when and why you go. That would be too easy, and we’d all be snapping our fingers in hopes of seeing lost treasures of yesteryear. It must choose you.

Close cousins Addison and Elissa live in present day New York City and lead somewhat ordinary lives. When uncertain circumstances surrounding a set of antique perfume bottles sends them back to eighteenth-century France, they must uncover the truth behind their travel.

Disaster strikes when Addison finds herself in a nearly identical situation to a mishap she experienced in the present—the witnessing of a murder and release of a secret. Only this time the truth could destroy the entire French monarchy. With Addison’s head on the line, the young women search for answers before Addison suffers her unlucky fate twice. It is only when they discover the haunting connections to life in the present, that they understand why they both were sent, and why a repeating past...may not always be such a bad thing.

Review of Scent of the Past
History repeats itself, right?   That’s what people say.  And as a history teacher, I have to admit that I at least like the thought that it just might.

Scent of the Past is a story of romance and mystery, about two very different young women, who find themselves transported through time.  Elissa is a simple but sharp-nosed girl who loves antiques and a quiet life.  Addison is wild and adventurous, and likes to live a bit too dangerously.  Addison sees something she is not meant to see, putting her life in peril.  A series of unhappy accidents leads to the breakage of a few priceless perfume bottles and the release of gorgeous scent (from the past, get it?).  This very scent triggers something almost supernatural, and the two women find themselves waking in pre-revolution France, in the court of Louis XV.  Elissa and Addison have to find out how they got there in order to discover how to get back—and Elissa also has to try and corral Addison’s tendency to make poor choices with the wrong men.  And in this case, the wrong man is the very king of France himself, Louis XV.  The two women not only have to find out how to get home, but are also thrust into the middle of an all too familiar royal paternity scandal that could lead to Addison’s demise.

The book has it all.  There’s time travel, and a story rich with delicious historical detail, giving the story the golden hue of French Baroque, and some of the pastel whimsy of a Rococo frolick.   I really want to praise how well this book wove history with narrative, so that the story did not read, at times, like a few paragraphs hastily rearranged from a Wikipedia page.  Author Erin Marie Bernardo did her research, and did a wonderful job creating a believable historical backdrop.  

There’s also romance.  Addison loves dangerous men, and Elissa holds her heart close and closed.  So it stands to reason that Elissa will find love, but then how will that love manage to persist even when spread out over the course of a few centuries?  And how will the concept of past lives and rebirth play to Elissa’s favor?  And will Addison’s wild side end up hurting her beyond repair?

I also have to say that, though the author might not have intended it, I found a bit of feminist hurrah in Scent of the Past.  The story eventually unfolds an impressive truth: that the Elissa and Addison of the past, the ones whose bodies the modern girls have been pushed into, were artisans and entrepreneurs.  Not too easy for women in 18th century France.  Not only that, but they were closely connected to the Queen, a woman whose only real desire is to protect her son.

I was really happy with this book as I read further in.  Scent of the Past is the sort of book that compels you to finish because there is just enough twist and turn to keep the story new and interesting.  Enough that, as a reader, you can’t predict the end of Elissa and Addison’s story.  Even better, you want to see the story through to the end to find out how everything plays out.  It was a wonderfully clever novel that balanced fiction and truth, thrill and romance, toward a delightful and graceful end.

Excerpt from Scent of the Past
Elissa opened one eye. Slowly. Someone was talking to her. Her head hurt, and the room was blurry, so she shut it. The talking didn’t stop. It was annoying, like a pesky mosquito buzzing around your ear right before you fall asleep. She pulled the covers over her head and groaned. She felt horrible.
The woman’s voice was persistent. She spoke quickly: “Bon matin, mademoiselle. Temps de se réveiller.”
Elissa rolled over, hoping to block out the noise and instantly realized she was naked. Oh, my gosh, I’m naked! she thought in fright. Instantly in tune with her surroundings she peeked out from underneath her blanket and surveyed the situation.
First observation. She was in a bed.
Second observation. Already noted, she was naked.
Third observation. This was not her room, and the woman standing at the foot of her bed was clearly not speaking English. Nor was she familiar in any way.
Elissa’s panic meter raised a few notches, and she grasped frantically at her neck. She relaxed. The ruby key was still there. Naked or not, the necklace never came off.
But where am I? she wondered. Whose bed is this? And why can’t I remember anything?
She noted the headache that was descending lower over her forehead. Her eyes made a quick sweep past the bed and around the room. Wherever she was, it certainly was magnificent. Shrouded in a curtain-lined canopy bed, she felt small among the grandness of the space. Although the walls were white, they were heavily decorated in crown molding panels, with intricate cut-out designs cresting the length of each wall. A large stone fireplace faced the bed, and an unlit crystal chandelier hung from the ceiling, which was at least ten feet high or more. A mirror, larger than any table, reflected her baffled face as it sat in triumph above the mantel. Noticing an open door leading to another bedroom, she realized the place only got larger.
Elissa groaned. This must have cost me a fortune. Why didn’t I pick a Holiday Inn?—thinking she might have checked into a hotel. The thought quickly passed before she had a chance to wonder further.
  The woman, who had awakened her earlier, stood scowling at Elissa. She wore some sort of period-style dress and looked like an old-fashioned chambermaid, with a cap and oversized smock. Elissa listened again. It was French. The woman was speaking French! Quite pleased with herself, Elissa smiled at the short lady who was frowning and waving her finger with a tsk, tsk. She hurried around the room picking up this, rearranging that.
“Vous avez dormi. Levez-vous avant qu'ils ne commencent à répandre des rumeurs à votre sujet.”
Elissa listened.  Ahh, French. What a beautiful language, she thought, smiling to herself. She lay there in a sleepy lull, listening on and off while dozing—still feeling a bit drugged. But it didn’t take her too long to think a little deeper. She paused. Wait, why is this woman speaking French?
“My lady, you’ve overslept. Get up before they start spreading rumors about you.”
She gasped. And why do I understand it?


About the Author

Erin Marie Bernardo is an American writer of historical fiction. She has a degree in Communication Studies from the University of Minnesota, and is the author of the time-travel novel, Scent of the Past. A lover of historic places, Erin's novels connect the past with the present.

Erin is currently at work on her second novel, Blackbird's Bounty, set in the bayou of Louisiana – and is actively seeking a home for her children’s collection, Beautiful and Extraordinary Barnyard Stories, based on true events from on her farm. 

Erin lives in Tennessee, but has roots in both Minnesota and Washington State. She is married with two young children. 

Links




Wednesday, November 11, 2009

Blog Tour: To Desire a Devil (Legend of the Four Soldiers, #4) by Elizabeth Hoyt


To Desire a Devil

About Elizabeth Hoyt Elizabeth Hoyt is a USA Today bestselling author of historical romance. She also writes deliciously fun contemporary romance under the name Julia Harper. Elizabeth lives in central Illinois with three untrained dogs, two angelic but bickering children, and one long-suffering husband. Please visit her websites for chapter excerpts, book extras, and author appearances: www.elizabethhoyt.com and www.juliaharper.com.


Reynaud St. Aubyn has spent the last seven years in hellish captivity. Now half mad with fever he bursts into his ancestral home and demands his due. Can this wild-looking man truly be the last earl's heir, thought murdered by Indians years ago? Beatrice Corning, the niece of the present earl, is a proper English miss. But she has a secret: No real man has ever excited her more than the handsome youth in the portrait in her uncle's home. Suddenly, that very man is here, in the flesh-and luring her into his bed. Only Beatrice can see past Reynaud's savagery to the noble man inside. For his part, Reynaud is drawn to this lovely lady, even as he is suspicious of her loyalty to her uncle. But can Beatrice's love tame a man who will stop at nothing to regain his title-even if it means sacrificing her innocence? To read an excerpt go here.

Title: To Desire a Devil
Series: Legend of the Four Devils
Book Number: 4
Genre: Fiction - Historical Romance 
Finished: November 10, 2009

The year is 1765, and the place England. The son of an earl and heir to the title Earl of Blanchard, Reynaud St. Aubyn, once a carefree youth, went to war where he was reportedly murdered by Indians in the American Colonies. After the death of his father and without Reynaud there to inherit, the title passed on to the Uncle of Beatrice Corning. Beatrice, protective of her kind and not-too-healthy uncle, as well as a great deal many others, are shocked when a haggard and sick looking Reynaud burst through the doors at tea demanding his father. It was almost too much to tell him of his father's death. With the heir of the title returned, Beatrice has no idea what will happen to her and her uncle. Beatrice's feelings are further complicated by her infatuation with a man she has only seen in a painting. This painting she is so fond of looking at is of Reynaud before he went off to fight. She cannot consolidate her feelings for the handsome young man in the picture to the disheveled and brutish rogue who now wants to reclaim his title and estate. Reynaud has a great many wounds that need healing. He suffered a great deal of horror while in captivity and suffers from trauma and flashbacks that put him always on his guard. As such, he is not an easy one to get close to and Beatrice, despite his threatening of her very livelihood, tries to help him. She wants to see him return to the smiling youth she is so familiar with via his painting. Others feel that Reynaud needs to be reaccelerated to aristocratic society. Feelings soon begin to grow between Beatrice and Reynaud. It seems she could be just what he needs to return to his old self. Of course, not everyone hopes for the best for them. There are others with invested interests in keeping Reynaud from regaining his title, which sweeps the pair up into political intrigue and danger. I generally liked the story, especially Reynaud and his dramatic story. I always like a man with a bit of a complex, I suppose. Beatrice is likable as far as female romance leads go, as they can all too often exhibit a cookie-cutter vapidity that I find puts me off of the romance genre as a whole. Though honestly, I feel that the romance aspect moved a little too fast and in a manner that wasn’t very realistic. It was just too easy and too forced. And when Reynaud proposed, the dialogue between the two was unbelievable and simple. I like things to be drawn out. There was something about the moment that rang as unbelievable to me. All in all, though, it was a fun read. The passion is hot and the romance is sweet. Ladies, Reynaud is one passionate man who knows how to work the body of a woman-- Beatrice, what a lucky woman! Dangerous and romantic at the same time, Reynaud can be as rough and demanding as gentle and smooth. And fortunately, there is a happy ending to be found, and I do so love happily ever after.

Sunday, September 6, 2009

Blog Tour & Author Interview: The Treasures of Venice by Loucinda McGary


I would like to thank Loucinda McGary for stopping here at Morbid Romantic as part of her blog tour for The Treasures of Venice. The Treasures of Venice is a book that I am looking forward to purchasing because, let's face it, the Renaissance is just beautiful. And a Renaissance scene set in Venice, the most beautiful of all. So, welcome Loucinda McGary!


An Up-Close and Personal Interview with Loucinda McGary

Thank you for inviting me to be a guest here on Morbid Romantic. My second romantic suspense novel published by Sourcebooks Casablanca was ‘officially’ released this week, though it has been popping up on store shelves since the last week of August. I’m excited to be promoting The Treasures of Venice, because not only does it make me a multi-published author (that phrase has such a lovely ring to it!), but it is also the first romantic suspense I wrote and is truly the book of my heart.

The Treasures of Venice is unique in the romantic suspense sub-genre because it has a few paranormal elements, and features a dual storyline set in both modern day and Renaissance Venice. Here’s a blurb describing the story: When American librarian Samantha Lewis and Irish rogue Keirnan Fitzgerald set off to find priceless jewels, they become embroiled in a 500-year-old love story that eerily prefigures their own... In 15th century Venice, beautiful and wealthy Serafina falls in love with Nino, a young Florentine sculptor. They decide to flee to Padua, and to fund the trip, Nino copies a set of jewels that then disappear. In modern-day Venice, Keirnan needs Samantha's help to locate the jewels so he can pay his sister's ransom. Samantha must decide whether the man she's so drawn to is her soul mate from a previous life...or are they merely pawns in a relentless quest for a priceless treasure?

Now that you know a wee bit about my book, I thought I’d answer some personal questions. I’ve heard from both reliable and dubious sources that readers like to ‘get to know the real author.’ So I asked my intrepid critique partner Cathy D. to send me some questions she thought readers might like to have answered. So here are my answers warts and all!

Q: When you are reading for pleasure, what is the one thing that will make you put down the book and quit reading?
A: Glaring mistakes that pull me out of the story. Two examples that spring to mind were both in recent novels written by well-known authors. The first was actually in a book set in Venice and the heroine was running around for hours during Carnevale wearing nothing but a bedsheet -- no shoes, no undies, nuttin’ honey! Well, I’ve been in Venice just a few days after Carnevale (that’s why The Treasures of Venice is set at the same time of year) and trust me, she would have had hypothermia after about thirty minutes. The second story had the hero taking his motorcycle for a long drive west of Los Angeles. I’m a native Californian, so I fell on the floor laughing, but you only have to look at a map to see that the only thing a long way due west of LA is the Pacific Ocean!

Q: When you were in Ireland and Venice, did you know you would be setting novels in those places?
A: Afraid not. I visited long before I started seriously writing for publication. But both places left lasting impressions on me, and I always take photos and keep extensive travel journals on my trips. Pulling those things out stimulated my memories and made me recall the sights, sounds, smells, and other things I experienced. I also bought guide books and maps before I started writing to be sure I had my facts straight. No long drives into the Adriatic or the Irish Sea!

Q: How do you pick names for your characters? Are they family names for the Irish heroes?
A: Most of my main characters pop into my mind with their complete names -- first, middle, and last -- intact. Though I will say that my hero Keirnan’s nickname, Sionnach came about when I was looking up some Irish Gaelic phrases. I came across the Irish word for “fox” and thought it the perfect moniker for my clever hero. I purposely try not to use family names for my Irish characters. Wouldn’t want to insult any relatives (any more than I usually do), or give them an over-inflated ego! While researching online, I ran across a great website that lists the most common Irish surnames (from 100 year old census records) broken down by county. I use these largely for secondary characters, since as I’ve said, my main characters appear with their names.
Interestingly enough, when Keirnan Fitzgerald popped into my imagination, I knew he was from County Kildare, where they breed many Irish thoroughbreds, and that his father was a horse trainer. Later, when I looked at the most common names from County Kildare, Fitzgerald was on the list!
Trust your characters. They really do know best.

Q: Are you hurt when someone criticizes your books? How thick is your skin?
A: Even after years of rejections, I’m afraid my skin is still not quite thick enough. Negative reviews do get to me, and no matter how many wonderful, glowing reviews I get, it is the negative ones I remember most. Go figure! A: I know not everyone likes the same things, and I really don’t mind when a reader or reviewer says something like, “this story just didn’t appeal to me.” But it is another thing when they attack the genre (if you know you don’t like something, don’t read it!!), or they totally miss what I was trying to achieve with the plot or characters. A: Usually, after I read a really negative review, I’ll pour myself a tall, cool drink and hurl a few choice Irish curses as I quench my thirst. :-) All right, I’m afraid I may have revealed entirely too much of the real me! Do you have any other questions about my writing process? My books? Where I came up with such cool Irish curses? Ask away!

About the Author

Loucinda McGary took early retirement from her managerial career to pursue her twin passions of travel and writing, and sets her novels of romantic suspense in the fascinating places she has visited. She was a finalist in the 2006 Romance Writers of America Golden Heart contest in Romantic Suspense. She lives in Sacramento, CA. For more information, please visit http://loucindamcgary.com/.

Tuesday, September 1, 2009

Guest Post: Judith James (Highland Rebel)


I would like to welcome Judith James to Morbid Romantic. I was fortunate enough to get to review Highland Rebel, so it is a double pleasure for me to get to have Judith James, author herself, guest blog here. Welcome!

Judith James Guest Blog, author of Highland Rebel Morbid Romantic; September 4, 2009
Fact, Fiction and Stereotype
The Encarta dictionary describes stereotype as an “oversimplified conception or standardized image of a person or group” Obviously stereotypes have some basis in fact. The key word is oversimplified. Stereotypes take complex phenomena and simplify them so they are easily communicated and understood, but in the process they loose the tremendous diversity and complexity that lie at the heart of what they describe. One thing research has taught me is not to mistake historical stereotype as fact. Many common stereotypes we hold about the past are mistaken for absolute historical truths, to the point that things that actually happened are sometimes challenged as anachronistic; modern day habits, customs and mores applied to older times. Many of them revolve around women’s roles, social life, and patterns of speech. Here are just a few I came across researching Broken Wing and Highland Rebel. Aristocrats never took to piracy they say? A little research on the Huguenot expulsions from France and the history of the buccaneers might just surprise them. Female upper class pirates historically inaccurate? A modern fantasy imprinted on older times? What about Grania, the Irish chieftain who stood toe to toe with Elizabeth in the 16th century? It’s said that Elizabeth gave her a handkerchief and enjoyed her immensely, even though, to the horror of the gathered courtiers, she blew her nose in it. What about Lady Mary Killigrew of Cornwall, the female pirate and lady in waiting who got herself into hot water with Elizabeth when she oops...got greedy and took an allied vessel and Elizabeth could no longer look the other way? She was a bloodthirsty woman who had a nasty habit of putting the crews she captured to death until her husband was ordered to lock her up. And then there’s the language. It makes some people cringe to see the F#@% word used in historical fiction. Well they may object on moral grounds, but they certainly aren’t on firm footing on historical ones. If the word upsets them they wouldn’t want to read any of the works of the 17th century court poet Rochester or those of his merry band of f#@#sters, or the ode a young Horace Walpole wrote to the Earl of Lincoln. Seventeenth century gentlemen also used slang, much of which is not repeatable here, and contractions such as won’t, don’t, can’t, ben’t, shan’t, etc., were all in common use at that time. A quick read through Sam Pepys diaries or most any Restoration era play will convince you if you believe it an’t so. These are just a few examples of some common stereotypes I found to be less fact based than I originally thought. There are enough about women and their roles to merit a blog on their own and I will be talking about that at a later date, but for now I guess it won’t surprise you if I tell you that my stories aren’t full of well bred lords and proper ladies in lovely gowns, though of course there is some of that. I am always more interested in characters that challenge the stereotypes of their time and gender. My characters curse and swear, they fight and kill, and though they all have their own sense of honour they tend to be rebellious, and question and challenge the rules of the society in which they live. They also deal with moral issues and moral ambiguity, and they insist on living life on their own terms, something some people have been doing all through history. These are the people I find most interesting from a story telling perspective, and it’s particularly true of Catherine and Jamie in Highland Rebel. It’s something that draws them together from the beginning and forms the basis of a friendship that leads to many adventures and makes them question everything they were taught to believe. I’d like to thank the Morbid Romantic for inviting me today. What a great name! And I’d like to thank everyone who stopped by. All comments are welcome and I’m delighted to answer any questions you might have, but I also like to end with one of my own. I remember a book by Bettina Krahn called Caught in the Act that made me pick up a book of poetry by Ovid when the hero read it to her in Latin and her toes curled, and more recently Lisa Marie Wilkinson’s exciting Fire at Midnight made me look up The Great Storm of 1703. Has anything like that ever happened to you?

Highland Rebel by Judith James, in stores September 1, 2009!  

Amidst the upheaval of Cromwell's Britain, Jamie Sinclair's wit and military prowess have served him well. Leading a troop in Scotland, he impetuously marries a captured maiden, saving her from a grim fate. A Highlands heiress to title and fortune, Catherine Drummond is not the woman Jamie believes her to be. When her people effect her rescue, and he cannot annul the marriage, Jamie goes to recapture his hellcat of a new wife... In a world where family and creed cannot be trusted, where faith fuels intolerance and war, Catherine and Jamie test the bounds of loyalty, friendship, and trust... 



About the Author 
Judith James has worked as a legal assistant, trail guide, and counselor. Living in Nova Scotia, her personal journey has taken her to the Arctic and the West Coast. Her writing combines her love of history and adventure with her keen interest in the complexities of human nature and the heart's capacity to heal. For more information about Judith, please visit http://www.judithjamesauthor.com/.

Monday, August 31, 2009

Book Review: Highland Rebel by Judith James



Title: Highland Rebel
Author: Judith James
Genre: Fiction - Historical Romance
Finished: August 31, 2009

In Judith James’ Highland Rebel Jamie Sinclair is a solider, a master of disguise, a little bit of a rogue, and almost penniless. Nevertheless, the ladies love him and he has a promising future with a woman waiting for him back home in England who has money. His hopes of a well off and comfortable future are dashed in the heat of battle when he meets and marries a young Scottish girl-- Catherine Drummond. Jamie does not know it at the time, but she is rich... very rich. Jamie’s intention for marrying her is to save her from the evil thoughts and hands of his bored, blood thirsty soldiers. Catherine soon pays him back for his ‘kindness’ by nursing him back to health when he is all but beaten to death trying to get her back once she inevitably runs from the marriage. Beaten over the head and sent back to England in disgrace, Jamie is left penniless again and falls out of favor with the King for snubbing his former soon-to-be wife for a Scottish rebel girl. Catherine, however, finds that she quite likes being married without the burden of having a husband around. Years pass, but circumstance takes Catherine to England to meet the King and hopefully begin to sell her people’s whiskey to the court for a profit. When she sees Jamie again, they come to an understanding that they will pretend to be married for a while before splitting amicably. Catherine promises Jamie that she will pay him handsomely for playing his role. Problem is, they soon begin to develop a powerful attraction toward one another. It is hard for Catherine to endure Jamie playing his charms on other women and not her, and Jamie feels increasingly possessive of the beautiful and charming Catherine. Because the two of them knock heads relentlessly, they convince themselves that they should not pursue one another, which only causes more confusion and anxiety. And, of course, more attraction.

If you do not like the typical “gasp and passion” romances that populate bookstores, Highland Rebel is a book that you will like. The characters are well relayed and have depth, each with their own personality and motivating forces. The romance itself is slow moving and complex, so there is a realistic and often times wonderfully frustrating progression from disdain to friendship and ultimately to love. Jamie and Cat do not fall all over each other, so the plot is not cliche as so much romance fiction is. Judith James knows her history and it shows in the elegant way she presents the English Royal Court of James, as well as the harsher but beautiful Scottish Highlands of Catherine’s heritage. My area of history, as anyone knows, is Rome, so I fully enjoyed what I was able to learn from Highland Rebel. Subtle beneath the passion and romance is a variety of great, valuable historical information. I was absolutely delighted by the matter of fact way James presents her world such that we absorb without feeling inundated by details and facts. Highland Rebel is also very well written and I like how it plays out the way that Jamie and Catherine slowly come together. I dislike the brand of romance that has the heroine in the arms of the man as soon as they meet. The best female counterparts are strong willed and resistant. The greater the conflict, the greater the reward at the end when all differences are mended and the couple finally comes to accept the feelings they have. Jamie seems to be worth it, though, because he is the right kind of rogue-- rough, smart, and misunderstood. And Catherine defies the expectations placed on women to achieve independence as much as any woman can. I can’t say that I blame her. Naturally, this makes her the perfect fit for the unconventional Jamie. Too bad they didn’t see it earlier! You will quite like Jamie at the end, rogue though he is. You come to understand why he is the way he is due to his own father and upbringing. Cat, too, comes across as a bit cold. However, once her character comes out, you really learn to respect her for her boldness, her wit, and her strength. She is a take charge kind of girl, but not kick butt; Cat is weak and flawed in her own way, which makes her more of an engaging and believable character. There are some definite character changes that occur toward the end, as the two of them change each other enough to allow love to take hold and come to fruition.


Highland Rebel is a truly entertaining story, sometimes funny, sometimes sad, sometimes heated, sometimes absolutely frustrating. A page turner, for sure.

Friday, January 30, 2009

Book Review: The Last Wife of Henry VIII by Carolly Erickson



Title: The Last Wife of Henry VIII
Author: Carolly Erickson
Genre: Fiction - Historical
Finished: January 30, 2009

I picked up Erickon's The Last Wife of Henry VIII because Barnes and Noble had yet to receive that newest issue of Fangoria Magazine and I did not want to go home. I found myself at a shelf of historical fiction about the wives of kings, a simple endcap with about six books on it. I chose Erickson's after reading the backs of a few-- I went for Erickson because she had a background in history, which I felt the book would benefit from. The Last Wife of Henry VIII is about Catherine Parr, the wife of King Henry VIII. She was the only one to escape death, exile and divorce at his hand. The novel follows Catherine through her life from girlhood to death. It recounts her four marriages, not all true to life, to Ned Burgh, John Neville, King Henry VIII, and finally Tom Seymour.

Throughout the book, Catherine experiences much tragedy as she loses family, husbands, children, and homes. Always in the background is the King and his doings, told through the perspective of Catherine and other sources of information. Wives are disposed of one after the other and the King courts Catherine through the entire novel until their marriage. She does emotional battle and engages in struggles for power with relatives and other members of the court, which causes her much distress and adds to the drama of the novel. Yes, this book gives Catherine Parr and very full, very exciting, and very dramatic life.

I wasn't too long into the book that I had to apply one of the most important historical fiction rules: when reading historical fiction, keep in mind that it's not non-fiction and will, therefore, be less bound by the responsibility of accuracy and neutrality. Historical fiction may take as many liberties as it pleases to tell an interesting story, which Erickson certainly does in this novel. Historical fiction is usually based on the life of an important figure or on historical events, though not with the promise of total truth. Fiction is fiction, even with you tack on the word "historical" in front of it. To anyone unfamiliar with Tudor history, the story flows easily. For anyone who knows a little something about the Tudors, some of the inaccuracies or displays of character are a bit unsettling. For example, Catherine did not marry young Ned Burgh, though Erickson writes that he was her one true love. Also, Tom Seymour did not try to usurp the crown through starting his own army and waging a personal war. These things are added for romantic and dramatic effect only. What especially annoyed me was that when married to Henry VIII, the novel Catherine Parr was silly and stupid enough to commit adultery. Clearly, she had not been paying enough attention when other wives were executed for that very crime. It seemed out of character that such an intelligent and steady headed woman would give in to something so dangerous and, well, stupid.

Was this a good book? Yes. I couldn't put it down. The drama was great, the romances were hot, and the intrigues were very intriguing. I enjoyed the book and hope to find more of Erickson's works. Fortunately, while I enjoy picking through historical fiction and determining its accuracy, I don't get upset or overly bothered when a book is very inaccurate.